I have done some painting after a very long while. I have reworked one of the older works and I had a lot of fun. Unlike music practicing, I could sit there for hours, so I did, not in a great state of presence, nevertheless happily occupied, worried now and then at results, such as I am when practicing music, but I was surprised at how similar to choregraphy the state of imagining things can be.
the power to see something (this colour vs. that or the shape of the 5 dancers in this movement) in your imagination. Alas often I fail to see the real thing.
This started years ago as a personal journal of my practice of music, movement, teaching and learning in general. After some years of inactivity, I decided to pick it up again. Here you will find thoughts, questions, curiosities, dilemmas, fears, hopes, and reflections. Sometimes in English, sometimes in Persian, on occasion resembling poetry, and also hopefully some music too. Note: This blog is a personal one, not associated with the organization I help run.
Sunday, April 08, 2007
Saturday, April 07, 2007
Tonhenge
A few short lines about the opera I've been working for.
My friend Celine and I have been given the difficult responsibility of choreographing for 2 sections of the opera Tonhenge. We had the 1st choreography rehearsal today.
The first section entails 7 sets of rounds for the 5 singers, each of whom have a metal pole and these poles are to hit at precise times (indicated in the score) during the choreography while they take particular shapes and formations.
This is promissing to be a difficult process, not easy for the singers but as well a great learning experience. This is really my first time choreographing anything for others. This is to mark this beginning. Why not? I love it... Especially since it is tied directly with the music.
My friend Celine and I have been given the difficult responsibility of choreographing for 2 sections of the opera Tonhenge. We had the 1st choreography rehearsal today.
The first section entails 7 sets of rounds for the 5 singers, each of whom have a metal pole and these poles are to hit at precise times (indicated in the score) during the choreography while they take particular shapes and formations.
This is promissing to be a difficult process, not easy for the singers but as well a great learning experience. This is really my first time choreographing anything for others. This is to mark this beginning. Why not? I love it... Especially since it is tied directly with the music.
Sunday, April 01, 2007
Is this the demise of another era?
I think the excitement of "in practice" is wearing off. I'm not yet planning to but it seems like it's approaching, I mean the ending of this journal.
It is good to see, if you follow or have the bug, how I have changed. I really wanted to put some of the stuff, my activities, thoughts, problems, etc. out there. Not to get feedback, but to have them expressed so that I might have an external responsibility towards my plans, my profession.
I must say before officially closing this (let it hang for another month or so), about a few new prospects:
- I will start on my project of playing the violin and moving with Diana Groenendjik tomorrow.
- I just got the video from Tracey Norman and Ali Gretian's choreography, had a little chat.
- I probably will be involved with the next instalment of COEXISdance.
- have not had a violin lesson in quite a while. So hard to find Mark. Left msgs for him, can't find each other... I'm interested still in Oistrakh's beginning of a stroke and application of Alexander technique's inhibition in timing.
Still wondering about pursuing Alexander next year. I must make some decision at some point. It's not cheap, and I have to see if I really like it.
I think the excitement of "in practice" is wearing off. I'm not yet planning to but it seems like it's approaching, I mean the ending of this journal.
It is good to see, if you follow or have the bug, how I have changed. I really wanted to put some of the stuff, my activities, thoughts, problems, etc. out there. Not to get feedback, but to have them expressed so that I might have an external responsibility towards my plans, my profession.
I must say before officially closing this (let it hang for another month or so), about a few new prospects:
- I will start on my project of playing the violin and moving with Diana Groenendjik tomorrow.
- I just got the video from Tracey Norman and Ali Gretian's choreography, had a little chat.
- I probably will be involved with the next instalment of COEXISdance.
- have not had a violin lesson in quite a while. So hard to find Mark. Left msgs for him, can't find each other... I'm interested still in Oistrakh's beginning of a stroke and application of Alexander technique's inhibition in timing.
Still wondering about pursuing Alexander next year. I must make some decision at some point. It's not cheap, and I have to see if I really like it.
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